We experienced the last "Sing" performance a couple of weeks ago and now that the all of the hubbub has died down, I can jot some musings. This is NOT a review for any "sophfrosh"s out there surfing the web.
"Sing" is an institution in many NYC High Schools. The grades (separately or as teams) write and perform an original musical sung to popular tunes and compete for artistic supremacy. It would not be an understatement to say that these events are loaded with the requisite angst of any lumbering musical comedy and the added pressure of beating the pants off of the seniors.
I had the pleasure of comparing the experience at two of the city's premiere "Sing" competitions. Murrow, Brooklyn's own little "broadWAY" and Stuyvesant, where I am told that in Tim Robbin's senior year they wrote their own music.
Both student bodies were bold and fearless, which as a Broadway professional myself, I found both horrifying and sweet. The sets were beautiful and free in a way that shocked me out of my smug professionalism. I wouldn't have attempted the giant paper mache' man-eating volcano. Really, really, I didn't think teenagers could paint like that. I am not being patronizing when I say that it had the gorgeous freedom of the best children's artwork; unself-conscious with explosive color. The really cool thing was how different the production styles of each school were. The kids at Murrow are Broadway kids. They know their power ballad and the importance of having the chorus "sing out Louise" They used their huge chorus of hundreds to fill the stage with elaborate dance numbers that were as aerobic as they were audible. Stuy on the other hand resembled the Sugar Plum Fairy's, dance of many nations from the "Nutcracker". They assembled clever stories that were a framework for the many, many multicultural vignettes. They say it isn't a Stuy "Sing" until you've seen the "Ballywood" number.
All of the productions had their good points, but I have to give special mention to the Stuy Seniors who did a classic production of a "Head vs. Heart" love story, literally... it takes place in a body... there was a guy playing the role of the Bladder. I knew that we were in for a treat during the first double helix, DNA dance number, soon to be followed by the four Hormones, in their leather jackets and da's singing doo op. My favorite character, after the aerobic pink Pair of Lungs and the Drunken Liver Ladies, was the Appendix wearing a giant "?" on his sweater. He took one for the team during the climactic Virus vs. White Blood Cell dance number. The attention to detail was impressive as my nerdy family observed, because during the dance whenever a virus attacked a cell, the cell would throw off this shirt representing the exploding of the cell wall. I didn't even know that happens, but they assured me that the biology was accurate.
Kudos to all involved. Go FRESH!